I am on permanent vacation. This surprising state of affairs is the life that I have been called to, and it has lasted almost six decades. My good fortune is known as a vocation. Monastic life is essentially a vacating, an emptying out, not unlike vacating an apartment and living without furniture, or even without an apartment. Monastics (men and women) vacate the world and go where people of the world do not want to go and remain. To live in solitude, to be specific, is one of the most difficult things for a person to endure. “Man’s unhappiness,” as Pascal said, “springs from one thing alone, his incapacity to stay quietly in one room.” In more ways than one, that is precisely what I have been doing for a long time—except, rather than inside a room, I prefer to be outside. The generous ceiling of the sky for me is more congenial to solitude, precisely because there I find company with the visible world around me.

But this outward solitude is not enough. Vacating means a personal emptying out of clutter within the mind and heart, certainly a clearing of the nonessential and even some essential furniture to make room for God. A normal home has spouses and maybe children. Life in a monastic community can never be quite the equivalent of a family, although there may be plenty of people around. Radically, there must be an interior journey into a wilderness to be alone, free of the world and at rest in God. Living in cenobitic community might seem to upgrade this desert to the status of a private resort, with all conveniences provided, like laundry and cooking. Perhaps that sounds too good to be true. Well, it is. You will shortly find this is not the case. Everyone here has to put in a hand and do his own part. Work is one of the forms of this emptiness, this vacation. It enhances prayer and keeps it from going static and stale. Likewise, prayer is a form of work – “the work of God,” as St. Benedict called it. It requires intention, attention, and persistence.

—Paul Quenon, In Praise of the Useless Life: A Monk's Memoir, 2018